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Salif Keita gave up a lot to pursue his dreams of a career in music. Born to royal lineage, with ancestral roots going back to Soundjata Keita, the founder of the Malian Empire in 1240, Keita was disowned by his father after announcing his plans to play music.
Moffou Salif Keita Download
Keita's dreams, however, were too strong to be shattered. Moving to the capitol city of Bamako in 1967, he was soon playing in nightclubs with one of his brothers. Within two years, he was invited to join the Rail Band. A popular, government-sponsored group that played regularly at the Buffet Hotel de la Gare, the Rail Band featured influential Malian guitar player Kante Manfila.
Salif Keita Biography
Keita's soulful singing soon brought the band to a much higher plateau. In 1973, Keita and several members of the Rail Band relocated to Abidjian, the capitol of Cote d'Ivoire (The Ivory Coast). Renamed Les Ambassadeurs Internationaux, the group continued to attract attention with their lively fusion of Cuban, Zairean, and Malian influences. In 1977, Keita received the prestigious National Order of Guinea from President Ahmed Sekou Toure. Encouraged to pursue a solo career, Keita moved to Paris in 1984. Settling in the city's Montreuil section, he found a thriving community of more than 15,000 transplanted Malians. Predictions of success proved true with the release of Keita's debut solo album, Soro, in 1987.
Produced by Ibrahim Sylla, the album combined African, jazz, funk, Europop, and R&B influences. Keita continued his recording career with several releases for Mango throughout the '90s, including the Mansa of Mali anthology, before moving to Blue Note for Papa in 1999 and then Decca, where he debuted with Moffou in 2002.
Moffou was considered some of Keita's finest work to date, and he received a Grammy nomination for the album. Keita then returned to Bamako, Mali, in order to record his next full-length effort, M'Bemba, which came out in 2006.
Craig Harris. ORIGIN Djoliba, Mali. GENRE. BORN 1949.
Salif Keita Iniagige
Sometimes a return to basics can be the best way for an artist to move forward. For, that's definitely the case with. In spite of using a hefty number of musicians (17, plus six backing vocalists), the sound is very stripped-down.
Even the supple electric guitar work of is mellow and low-key. The real beauty here is 's voice, carefully framed and used to maximum effect. High, almost piercing, it's a gorgeous instrument that can ride and transform a melody, whether the lulling gentleness of 'Yamore' or the more upbeat - but never frenzied - 'Iniagige.'
Overall, it's a record of swaying, seductive gentleness, one perfectly suited to 's style. After a few artistic missteps, he needs an album like this to reaffirm who he is and give a renewal to his sound. While it's strongly rooted, it's by no means strictly a Malian roots album; that's never been all of his music by any means. While ineffably West African, there's a lovely light sheen to the production that could only be European, and serves the sound well, smoothing it out but never losing the intimate flavor that's at the album's heart. Reaffirms 's star status, and his reputation as one of the world's most glorious voices.