Dr Dre 2001 The Chronic Zippy

1005

Dr Dre Chronic 2001 Zippyshare
Dr Dre 2001
Dr Dre Chronic 2001 Zippyshare

. ' Released: October 13, 1999. ' Released: January 29, 2000. ' Released: July 3, 2000. ' Released: February 26, 2001 2001 (sometimes referred to as The Chronic 2001, Chronic 2001 or The Chronic 2) is the second by American rapper and producer. It was released on November 16, 1999, by as the follow-up to his 1992 debut album. The record was produced primarily by Dr.

800万张的销售量，八个月盘据在Billboard Album chart Top 10，2首Top 10单曲，这些显赫的商业成绩并不足以形容脱胎自N.W.A.的Dr. Dre首张个人作品《The Chronic》在当年.

Dre and, as well as, and features several from fellow American such as, and the late. 2001 exhibits an expansion on Dre's debut sound and contains themes such as violence, promiscuity, drug use, street gangs, sex and crime.

The album debuted at number 2 on the U.S. Chart, selling 516,000 copies in its first week. It produced 3 singles that attained chart success and has been certified by the; as of August 2015 the album has sold 7,800,000 copies in the United States.

2001 received generally positive reviews from critics, many of whom praised the music although some found the lyrics objectionable. Contents. Title The title ' was the original title for former artist 's anticipated second album, but took the title and used it for which forced Dre to retitle his album to 2001.

Dre 2001 + The Chronic Latest Pressings Explicit LP Vinyl Record Albums.
2015-8-7 Studio Album (5) - Single (1) - Compilation (1) The Greatest Hits 2: The Next Episode.

Background In an interview with The New York Times, Dr. Dre spoke about his motivation to record the album and how he felt that he had to prove himself to fans and media again after doubts arose over his production and rapping ability. These doubts came from the fact that he had not released a solo studio album since (1992). He stated: For the last couple of years, there's been a lot of talk out on the streets about whether or not I can still hold my own, whether or not I'm still good at producing. That was the ultimate motivation for me. Magazines, word of mouth and rap tabloids were saying I didn't have it any more.

What more do I need to do? How many platinum records have I made? O.K., here's the album – now what do you have to say? The album was intended to be released as a; with tracks linked through interludes and turntable effects, but was then changed to be set up like a film. Dre stated, 'Everything you hear is planned. It's a movie, with different varieties of situations. So you've got buildups, touching moments, aggressive moments.

I just basically do hard-core hip-hop and try to add a touch of here and there. A lot of times the media just takes this and tries to make it into something else when it's all entertainment first. You shouldn't take it too seriously.' Recording Some of the lyrics on the album used by Dre have been noted to be penned by several ghostwriters. Was rumored to be a ghostwriter on the album. He was noted for writing the last track, 'The Message'; however, he is not credited by his legal name or alias in the liner notes.

A track he recorded on the album, originally named 'The Way I Be Pimpin', was later retouched as '; this version has Dr. Dre rapping penned verses by Royce and featured Royce's vocals on the chorus.

Royce wrote several tracks such as 'The Throne Is Mine' and 'Stay in Your Place' which were later cut from the final track list. The tracks have been leaked later on several mixtapes, including Pretox. The album's production expanded on that of The Chronic, with new, sparse beats and reduced use of samples which were prominent on his debut album. Co-producer Scott Storch talked of how Dr. Dre used his collaborators during recording sessions: 'At the time, I saw Dr. Dre desperately needed something.

He needed a fuel injection, and Dre utilized me as the nitrous oxide. He threw me into the mix, and I sort of tapped on a new flavor with my whole piano sound and the strings and orchestration. So I'd be on the keyboards, and Mike Elizondo was on the bass guitar, and Dre was on the drum machine.' Josh Tyrangiel of has described the recording process which Dr. Dre employs, stating 'Every Dre track begins the same way, with Dre behind a drum machine in a room full of trusted musicians. (They carry beepers. When he wants to work, they work.) He'll program a beat, then ask the musicians to play along; when Dre hears something he likes, he isolates the player and tells him how to refine the sound.'

Music Production The album primarily featured co-production between Dr. Dre and and was generally well received by critics. Writer noted that Dr. Dre had expanded on the beats on his previous album, The Chronic, and stated, 'He's pushed himself hard, finding new variations in the formula by adding ominous strings, soulful vocals, and reggae, resulting in fairly interesting recontextualizations' and went on to say, 'Sonically, this is first-rate, straight-up gangsta.' 's Tom Sinclair depicted the album as 'Chilly keyboard motifs gliding across gut-punching bass lines, strings and synths swooping in and out of the mix, naggingly familiar guitar licks providing visceral punctuation'. Described the production as 'patented tectonic funk beats and mournful atmospherics'. PopMatters praised the production, stating that 'the hip-hop rhythms are catchy, sometimes in your face, sometimes subtle, but always a fine backdrop for the power of Dre's voice.'

Of mentioned that the beats were 'lean and immaculate, each one a pithy combination of beat, rap, melody and strategic silences'. The album marked the beginning of Dr. Dre's collaboration with keyboardist, who had previously worked with and is credited as a co-writer on several of 2001 's tracks, including the hit single '. Storch would later go on to become a successful producer in his own right, and has been credited as a co-producer with Dr. Dre on some of his productions since.

Lyrics The lyrics on the album received criticism and created some controversy. They include many themes associated with gangsta rap, such as violence, promiscuity, street gangs, drive-by shootings, crime and drug usage. Stephen Thomas Erlewine said that the only subject matter on the album was 'violence, drugs, pussy, bitches, dope, guns, and gangsters' and that these themes have become repetitive and unchanged in the last ten years. Critics noted that Dr.

Dre had differed from his effort to 'clean-up his act' which he tried to establish with his 1996 single, ' from. NME mentioned that the album was full of 'pig-headed, punk-dicked, 'bitch'-dissing along with requisite dollops of ho-slapping violence, marijuana-addled bravado and penis-sucking wish fulfilment.' Massey noted that the lyrics were overly explicit but praised his delivery and flow: 'His rhymes are quick, his delivery laid back yet full of punch.' The rhymes involve Dr.

Dre's return to the forefront of hip hop, which is conveyed in the singles 'Still D.R.E.' And 'Forgot About Dre'. Many critics cited the last track, 'The Message'; a song dedicated to Dr.

Dre's deceased brother, as what the album could have been without the excessively explicit lyrics, with Massey calling it 'downright beautiful' and 'a classic of modern rap'. – executive producer, performer, producer, mixer. garter. – performer, producer, bass.

– producer. – performer, vocals, writer. – performer, vocals.

– performer, writer. – performer. – performer, vocals. Ms. Roq – performer.

– performer, vocals. – performer. Six-Two – performer. – writer. – vocals. – vocals.

– performer, vocals. – performer.

Time Bomb – performer. – performer. – performer. – performer. Rell – performer.

– performer. – performer. Charis Henry – collage concept, performer.

– writer, vocals. Ian Sanchez – performer. Colin Wolfe – bass. – bass. Preston Crumo – bass. Sean Cruse – guitar.

Camara Kambon – keyboards. – keyboards. – percussion. – percussion.

DJ Pen – scratches. Larry Chatman – production manager. Kirdis G. Tucker – Aftermath product manager. Charles 'Big Chuck' Stanton – A&R director. Mike Lynn – A&R director. Damon 'Bing' Chatman – Aftermath project coordinator.

Michelle Thomas – Interscope product manager. Andrew Van Meter – Interscope production coordinator. Ekaterina Kenney – Interscope photo shoot coordinator.

Richard 'Segal' Huredia – collage photographer, engineer. Brian 'Big Bass' Gardner – mastering.

Paul Foley – album editor. Stan Musilik – photographer. Donn Thompson – photographer. Jason Clark – art director, designer. – writer Charts.

The record was produced primarily by Dr. Dre and, as well as, and features several from fellow American such as, and the late.

2001 exhibits an expansion on Dre's debut sound and contains themes such as violence, promiscuity, drug use, street gangs, sex and crime. The album debuted at number 2 on the U.S. Chart, selling 516,000 copies in its first week. It produced 3 singles that attained chart success and has been certified by the; as of August 2015 the album has sold 7,800,000 copies in the United States. 2001 received generally positive reviews from critics, many of whom praised the music although some found the lyrics objectionable. Contents. Title The title ' was the original title for former artist 's anticipated second album, but took the title and used it for which forced Dre to retitle his album to 2001.

He stated: For the last couple of years, there's been a lot of talk out on the streets about whether or not I can still hold my own, whether or not I'm still good at producing. That was the ultimate motivation for me. Magazines, word of mouth and rap tabloids were saying I didn't have it any more.

You've even got a 'Pause for Porno.' It's got everything that a movie needs.' Speaking of how he did not record the album for club or radio play and that he planned the album simply for entertainment with comical aspects throughout, he commented 'I'm not trying to send out any messages or anything with this record. I just basically do hard-core hip-hop and try to add a touch of here and there. A lot of times the media just takes this and tries to make it into something else when it's all entertainment first. You shouldn't take it too seriously.' Recording Some of the lyrics on the album used by Dre have been noted to be penned by several ghostwriters.

Was rumored to be a ghostwriter on the album. He was noted for writing the last track, 'The Message'; however, he is not credited by his legal name or alias in the liner notes. A track he recorded on the album, originally named 'The Way I Be Pimpin', was later retouched as '; this version has Dr.

Dre rapping penned verses by Royce and featured Royce's vocals on the chorus. Royce wrote several tracks such as 'The Throne Is Mine' and 'Stay in Your Place' which were later cut from the final track list. The tracks have been leaked later on several mixtapes, including Pretox. The album's production expanded on that of The Chronic, with new, sparse beats and reduced use of samples which were prominent on his debut album. Co-producer Scott Storch talked of how Dr.

Dr Dre Chronic 2001 Zippyshare

Dre used his collaborators during recording sessions: 'At the time, I saw Dr. Dre desperately needed something. He needed a fuel injection, and Dre utilized me as the nitrous oxide. He threw me into the mix, and I sort of tapped on a new flavor with my whole piano sound and the strings and orchestration. So I'd be on the keyboards, and Mike Elizondo was on the bass guitar, and Dre was on the drum machine.'

Josh Tyrangiel of has described the recording process which Dr. Dre employs, stating 'Every Dre track begins the same way, with Dre behind a drum machine in a room full of trusted musicians. (They carry beepers. When he wants to work, they work.) He'll program a beat, then ask the musicians to play along; when Dre hears something he likes, he isolates the player and tells him how to refine the sound.' Music Production The album primarily featured co-production between Dr. Dre and and was generally well received by critics.

Writer noted that Dr. Dre had expanded on the beats on his previous album, The Chronic, and stated, 'He's pushed himself hard, finding new variations in the formula by adding ominous strings, soulful vocals, and reggae, resulting in fairly interesting recontextualizations' and went on to say, 'Sonically, this is first-rate, straight-up gangsta.' 's Tom Sinclair depicted the album as 'Chilly keyboard motifs gliding across gut-punching bass lines, strings and synths swooping in and out of the mix, naggingly familiar guitar licks providing visceral punctuation'. Described the production as 'patented tectonic funk beats and mournful atmospherics'.

PopMatters praised the production, stating that 'the hip-hop rhythms are catchy, sometimes in your face, sometimes subtle, but always a fine backdrop for the power of Dre's voice.' Of mentioned that the beats were 'lean and immaculate, each one a pithy combination of beat, rap, melody and strategic silences'. The album marked the beginning of Dr. Dre's collaboration with keyboardist, who had previously worked with and is credited as a co-writer on several of 2001 's tracks, including the hit single '. Storch would later go on to become a successful producer in his own right, and has been credited as a co-producer with Dr.

Dre on some of his productions since. Lyrics The lyrics on the album received criticism and created some controversy. They include many themes associated with gangsta rap, such as violence, promiscuity, street gangs, drive-by shootings, crime and drug usage.

Dr Dre 2001

Stephen Thomas Erlewine said that the only subject matter on the album was 'violence, drugs, pussy, bitches, dope, guns, and gangsters' and that these themes have become repetitive and unchanged in the last ten years. Critics noted that Dr. Dre had differed from his effort to 'clean-up his act' which he tried to establish with his 1996 single, ' from. NME mentioned that the album was full of 'pig-headed, punk-dicked, 'bitch'-dissing along with requisite dollops of ho-slapping violence, marijuana-addled bravado and penis-sucking wish fulfilment.' Massey noted that the lyrics were overly explicit but praised his delivery and flow: 'His rhymes are quick, his delivery laid back yet full of punch.' The rhymes involve Dr.

Dre's return to the forefront of hip hop, which is conveyed in the singles 'Still D.R.E.' And 'Forgot About Dre'. Many critics cited the last track, 'The Message'; a song dedicated to Dr. Dre's deceased brother, as what the album could have been without the excessively explicit lyrics, with Massey calling it 'downright beautiful' and 'a classic of modern rap'. – executive producer, performer, producer, mixer. garter.

Dr Dre Chronic 2001 Zippyshare

– performer, producer, bass. – producer. – performer, vocals, writer. – performer, vocals. – performer, writer.

– performer. – performer, vocals.

Ms. Roq – performer. – performer, vocals.

– performer. Six-Two – performer. – writer. – vocals. – vocals.

– performer, vocals. – performer. Time Bomb – performer. – performer. – performer. – performer. Rell – performer.

– performer. – performer. Charis Henry – collage concept, performer. – writer, vocals. Ian Sanchez – performer. Colin Wolfe – bass. – bass.

Preston Crumo – bass. Sean Cruse – guitar. Camara Kambon – keyboards.

– keyboards. – percussion. – percussion. DJ Pen – scratches. Larry Chatman – production manager. Kirdis G. Tucker – Aftermath product manager.

Charles 'Big Chuck' Stanton – A&R director. Mike Lynn – A&R director. Damon 'Bing' Chatman – Aftermath project coordinator. Michelle Thomas – Interscope product manager. Andrew Van Meter – Interscope production coordinator.

Ekaterina Kenney – Interscope photo shoot coordinator. Richard 'Segal' Huredia – collage photographer, engineer. Brian 'Big Bass' Gardner – mastering.

Paul Foley – album editor. Stan Musilik – photographer. Donn Thompson – photographer. Jason Clark – art director, designer. – writer Charts.