• Crvena Jabuka Tekstovi

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Contents. History of music in Croatia Medieval The oldest preserved relics of musical culture in Croatia are sacral in nature and represented by Latin medieval liturgical chant manuscripts (approximately one hundred musical codices and fragments dating from the 11th to the 15th centuries have been preserved to date). They reveal a wealth of various influences and liturgical traditions that converged in this region ( liturgy in Benevento script, Northern, and original Glagolitic chant).

Renaissance and baroque. Traditional Croatian musicians play for Mrs.

On April 7, 2008 in. The traditional of is mostly associated with the following: Ganga Ganga is a type of singing which is characterized by a lone singer singing one line of lyrics and then others joining in for what can be best described as a wail. It is a very passionate form of singing, which is one of the reasons it has been limited in popularity to small towns.

Even though it is a unique and autochthonous form of singing by Croats, it is very rare to hear this music on Croatian airwaves. However, several popular Croatian musicians have incorporated some ganga into their work. It can also be heard in concert music: the American composer incorporates a ganga-inspired wailing, sighing, pitch-bending, micro-tonal vocal style in his 'String Quartet No. 1' (2010), a work commissioned for the and the, the second movement of which is clearly paying homage to style. Only recently has ganga begun to address political issues, frequently adopting overtly nationalistic overtones and incorporating themes from the Croatian Homeland War.

Although both men and women regularly perform ganga, it is extremely unusual for them to perform songs together. It is not unusual at all for both Catholic and Muslim men to perform ganga together.

Main article: (diminutive of ) music is a form of that involves these and related string instruments. It became increasingly popular in the 1800s, and small bands began to form, paralleling similar developments in, and the. The main themes of tamburitza songs are the common themes of love and happy village life. Tamburitza music is primarily associated with the northern, part of the country. It is sometimes said that the first sextet of tambura players was formed by of in 1847. In the 1971 was formed one of the most famous and long lasting tamburitza ensembles led by the legend of tamburitza music. Traditional tamburitza ensembles are still commonplace, but more professional groups have formed in the last few decades.

These include and, the first such groups, Slavonske Lole, and the modernized -influenced. The style of Tambura music played most often in the United States during the latter half of the 20th Century was not significantly different from the style played at the turn of the 19th Century.

Free of the influences of pop music in Jugoslavia and the nascent, independent republics, and without large quantities of immigrants bringing new methods and styles, American-style Tambura music, and to a lesser extent, Canadian-style Tambura music stayed true to its roots. Today, the most prevalent forms of Tambura music are folk-pop combinations. A traditional gusle instrument from The music is played on this traditional string instrument. It is primarily rooted in with emphasis on important historical or patriotic events.

It is the traditional instrument of inland and of, the part of with predominant Croatian population. Gusle players are known for glorifying outlaws such as or of the long gone or exalting the recent heroes of the., a famous 18th-century author, had also composed verses in form of the traditional folk poetry (, ten verses). His book Razgovor ugodni naroda slovinskog became Croatian folk Bible which inspired numerous gusle players ever since.

As for contemporary gusle players in Croatia, one person that particularly stands out is. Krajina is a prolific folk poet and gusle player who gained cult status among some groups.

There are also several other prominent Croatian gusle players who often perform at various folk-festivals throughout Croatia and Bosnia-Herzegovina. Diple Diple is a traditional woodwind musical instrument in Croatian music. Sometimes called 'Mih', 'mjeh', 'mjesina' or only 'diple', it is played from Istria, Lika, over Dalmatia Islands and Coast to Herzegovina.

Crvena Jabuka Tekstovi

'Mih' is made of tanned goat or sheep skin and consists of a 'dulac' or 'kanela' through which the air is blown and 'diple' (chanter) on which it is played. Inside the 'mih' on the chanter, two single-blade reeds are situated. Unlike bagpipes, 'Mih' doesn't have a 'trubanj' or 'bordun' (drone). File restore professional activation key free. Although they are very similar, the 'mih' from different parts of Croatia still differ in type of chanter, in the position of holes or in some tiny details (for example ornaments). Other folk traditions.